Monthly Archives: October 2016

When in Iceland

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You dress in layers. If you go during the shoulder season (essentially equivalent to fall and spring in terms of timing, but not in terms of weather, which can be very unpredictable), you wear several layers, at least a few of which are wool. L and I both have a few of those thin, fine merino wool base layers, but what we lacked before this trip was heavier, more rugged wool sweaters. So, I spent the summer changing that.

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I thought a lot about what I wanted to knit myself for the wedding (a wedding shawl seemed like the obvious thing until I realized that I really didn’t want to cover the top of my dress at all) before deciding that knitting something for our honeymoon would be just as special. Plus, as I mentioned previously, I ended up knitting L a pair of wedding socks, so we still had a little hand knit element.

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You can see the extra fabric around the tops of the arms/shoulders, but the colourwork part of the yoke is perfect.

My sweater flew off the needles. I had heard that Stopover, by Mary Jane Mucklestone, was a speedy knit, but whoa. I am quite pleased with the finished sweater, though there’s a bit too much fabric around the shoulders I think. I debated ripping back and changing the pace of the decreases, but the extra fabric didn’t bother me when I was wearing it, just in photos. This sweater was used as a pillow, shoved into bags, worn under a backpack, worn to restaurants and while hiking, and it came through pretty much unscathed (just a little fuzz on the forearms, which can be easily dealt with).

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I’m quite pleased with how this turned out. I’ll need to work on improving the neckline for the next sweater (this one stretched out quite a bit). Maybe I’ll try casting off and then picking up the stitches for the rib, for some extra structure.

L’s sweater isn’t really Icelandic in any way except that I used lopi. The pattern — Galdhöpiggen, by Erika Guselius — was only available in Swedish when I knit this (there’s an English version now), so I spend a fair bit of time with Google Translate and, in the end, mostly winged it. I knit L’s sweater as a looser gauge than the pattern was written for, both because it was faster and because he really didn’t need a dense wool sweater to stay warm. I made sure my stitch counts lined up with the charts and then knit to his measurements, with about zero ease before blocking. It blocked out to a couple of inches of positive ease, and grew a bit more as he wore it and pulled it on and off throughout the day. He wore it every day we were there (every. single. day.)

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Handknit hat, cowl and sweater. Pretty good look, I’d say.

I haven’t quite gotten around to washing and re-blocking these sweaters since we got back (and they do need it), so I’m not sure if they’ll shrink back at all, but let me just say: lopi stretches. It doesn’t have any of the bounce of merino or even BFL, so when it stretches it just stays stretched. I’m hoping a slightly warm soak will help get things back in place, but that is definitely something I’ll be keeping in mind when I knit our next round of sweaters (of course we bought wool for one more each while we were there).

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L’s eventual sweater is on the left, mine is on the right. I thought I’d go for colours too, but I couldn’t decide, and in the end decided I couldn’t go wrong with neutrals.

L’s sweater actually took a lot less time to knit than I anticipated, so I had time to knit a few other things in addition to his socks. He is actually quite well equipped in terms of cold weather hand knits, so I did a quick survey of what I needed and in the three weeks before our wedding knit myself a headband, a cowl and a pair of fingerless mitts. Of the three, the mitts were the most successful and have taken up residence in my purse because they are perfect for the rapidly warming and cooling temperatures of this time of year. The headband is great too, though I find it a little itchy across my forehead. I’m going to try soaking it with a little conditioner to see if that helps. The cowl I knit three times and I’m still not quite happy with it. It’s just a bit too loose to really keep me warm, so I think I might rip it out one last time and knit it up with 10 to 12 fewer stitches. It’s a quick knit (I knit it twice in one day), so I’m not too worried about that being a major undertaking.

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Kind of a ridiculous picture, but the only one in which headband, cowl and mitts are all on display. (I meant to get some proper pictures of each, and then forgot.)

Of course, not everything we took to Iceland was new. L wore his cowl, gloves and this hat regularly. I stuck my Norby hat in my bag at the last minute was so glad I did, since I actually wore it quite a bit. My Epistrophy sweater was in regular rotation with my Stopover, and on a couple of the warmer days I wore my Stasis sweater. Plus, we both wore hand knit socks every day.

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Epistrophy was a perfect mid-weight sweater to bring. I actually layered it under my Stopover a couple of times!

The Slow Fashion October theme for this week is “Long Worn,” with the idea being a celebration of garments long loved — hand-me-downs, thrift-store finds, pieces you’ve refashioned, etc. — and I really had planned to write about a couple of my oldies-but-goodies, but as I was writing this I realized that in some cases, long worn starts with the making. Barring some very unfortunate accident (looking at you, washing machine), we’ll be wearing these sweaters for decades. They are well made, using good quality wool, and they’re not really tied to any particular trend. They aren’t long worn yet, but they will be, and knowing that is part of what made the knitting so rewarding.

An introduction

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I knit this cowl to completion nearly three times before finally deciding it was done and binding off. After wearing it a few times, I think it needs to be smaller, so I think one more rip is in its future.*

I’ve been thinking about Slow Fashion October for the last year — every since Karen hosted the first one last year — and have been really looking forward to this month and all the discussion it is already generating.

I am such a big fan of the idea, but wow is it hard to write about/articulate. Despite a year of thinking about this in a fairly focused way, I have started this blog post multiple times and ended up deleting everything and trying again. A quick look in my WordPress drafts turns up multiple abandoned posts from this time last year, so clearly lots of thinking hasn’t helped me clarify my thoughts. Strangely, what actually helped was this short magazine piece about why we love Ikea furniture.

The story looks at how the rise in Ikea furniture (and furniture like it) has essentially created a class of disposable furniture. Pieces we buy because they serve an immediate need, look good, or are the right price, but are ultimately also pieces we don’t plan to keep, whether because we know our tastes will change or because we plan to upgrade in the future, or whatever. We don’t get attached to it, we’re annoyed but not surprised when it falls apart, and, in the end, we’re kind of excited about the excuse to replace it with something new.

Last weekend (before the above-linked article was published, let me add), after we got back from our honeymoon, L and I went furniture shopping. We were looking for a couple of specific items, and instead of going to Ikea, we drove out into the country to an antique store. We didn’t find quite what we wanted, but that’s fine, we’ll go back in a couple of weeks — nothing we need is desperate, and although we could go to a store and probably find it pretty fast, we prefer to wait, and we have the luxury to do so.

In a nutshell, that pretty much sums up my evolving slow fashion philosophy. I try really hard to invest in quality pieces whose provenance can be traced — my wedding dress was designed and sewn in Toronto, for example — but I do still sometimes just need a black t-shirt, which brings me to the mall. I am trying to make more of my own clothing, and where possible I try to use materials with ethical/traceable sources, but particularly with sewing (and as a fairly beginner sewer), there is a lot of waste. And, of course, there are financial implications to all of this, because I have the luxury of both time and money to be choosy about what I buy and how long it takes me to get things done.

As I’ve thought about it this more and more over the last year, I have definitely noticed my habits changing. I was never a big shopper, but I shop for clothes even less now, and when I do buy things I tend to spend a bit more for items that are locally made and that I know I’ll wear for years. I’m also much more particular about my stash, both of fabric and yarn. I have a lot of materials on hand, and I have been working really had to prioritize using what I have over buying new things.

And I’m a lot more comfortable with being slow. There’s very little I really need, so what’s the big deal if it takes me a couple of weeks to sew a new shirt, or a a month to knit a sweater? Being aware of that time commitment is actually really gratifying (though it used to be frustrating) because it tells me pretty fast how much I want something: Is it something I’m willing to wait for, or something I just want right now but will likely tire of later? If my excitement can sustain me through a project, that’s a pretty good sign.

Anyway. I’m not sure how precisely I define “slow fashion,” but for me a big part of it is about being thoughtful — thinking through what I need, being willing to wait for it (either because of the time it takes to make it or the time it takes to save for it), and then committing to keep it for a long time.

Have you been following Slow Fashion October? How do you define it (or do you even care?)

*I have been sitting on this post for a week now waiting to get a couple of pictures to post with it. But, that is not happening, and we’re away this weekend, so lest it end up just another draft, I’m posting it with just the one. More pictures next time, I promise.